![]() ![]() Each painting truly is a journey, and it never ceases to amaze and delight me. Only when I am able to step back from the painting after it is complete, am I able to witness it from a fresh perspective, and see that everything is in it’s perfect place and it all “makes sense.” The piece tells a story, far beyond what I consciously imagined it ever would. Often will spend many hours working on something, only to then suddenly paint over much of it or realize I need to change it into something else. ![]() That being said, I also try not to cling to what is already on the canvas, no matter how much time I have dedicated, or how my mind may insist it is too precious to release. I have learned to trust these inspirations, and most often they end up fitting perfectly into the composition and developing theme of the piece. Sometimes it is a little clearer when I begin, and there are only slight surprises as it develops other times I think I have it “figured out” and suddenly it will shift and flow in a totally different direction.Īs a painting develops and evolves, more elements and concepts unfold. With such an open starting point, the possibilities are boundless of where the piece will take me. Q: Do you begin with a theme in mind, or does it emerge while you are working? What inspires your work, the current political conditions, the environment, the books you read, your dreams, or a conversation with a friend… In other words… does your inspiration come more from internal or external sources?Ī: I usually begin each piece with only a loose idea, a seed of a concept, or a few fragmented elements. Sure, it takes a lot of hard work and time, but I honestly believe that the more moving my art is, the less I can take credit for it. I realize the art is not born from me, but through me, and in this understanding I am both humbled and empowered. If we can hone our skill, show up to for the work, and then surrender and listen to our intuition and spirit, we might be able to transmute some magic into our creation. In any creative expression, there is a profound voice that speaks through us when we release judgment during the process. It is a dance with spirit, and collaboration with the divine. It is like an psychic or energetic imprint on the work that remains tangible far after the artist names it finished and releases it into the world. I believe that it is more so the “place“ that the artist was in during its creation. ![]() While color can certainly direct emotions, craftsmanship can humble us, and and certain shapes of the composition can stir us or capture our attention, there is something much more elusive and mysteriously play. I don’t believe that it’s the contents of the painting, the subject matter, or even the skill involved in its creation that moves people at the deepest level. I can’t say what exactly makes a paining poignant or evoke emotion. Q: What does an image need to have to express or inspire a shift in awareness?Ī: Sometimes even the simplest composition can convey incredibly complex concept. As Picasso said, “Inspiration does exist, but it must find you working.” Often my best ideas come when I’m working on another piece, in the act of creation, mind at ease and hands and heart engaged. Make art, get messy, have fun, stay curious. The most effective way I’ve found to cultivate inspiration is to sit down at the easel. However, inspiration is a difficult energy to pinpoint, and perhaps even more tricky to contrive. As soon as I was old enough to hold a paintbrush in my hand, I began making art, and I have barely put the brush down since. Q: How are you inspired to create the powerful and compelling art you are known for?Ī: For as long as I can remember, I knew my mission was to share inspiration. ![]()
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